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The studio offers a nice selection of both high-end analog and digital equipment to fit the needs of today’s most demanding production techniques.
Our main concern is to provide artists with the most authentic and beautiful sound possible, be it acoustic or electronic. Your ears should be able to hear what comes out of your head! Period!
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Desk :
Trident « Series 75 » 28 ins mono+ 24 ins stereo or 12 bus+ 8 aux. sends+ patch bay |
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Preamps/ DIs :
- D.W Fearn VT-2, high-end tube preamp , 2 channels
- Avalon U5 x2 : classe - A direct recording channels
- TC Electronic « Gold Channel » : Digital channel strip, (preamp+dynamics+eq…) 2 channels, up to 24/96
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Egaliseur :
- Focusrite Red2, stereo class-A eq , parametric 4bands
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Compressors :
- Anthony Demaria ADL 1500, tube stereo opto comp/lim (a Teletronix LA-2A in stereo)
- Empirical Labs El-8 « Distressor », comp mono+ 2 nd et 3 rd harmoni c generator , classe A
- Empirical labs El-7 « Fatso » : Stereo comp, class-A
- Telefunken U 373a x2 : « vintage » broadcast compressors |
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Effects :
- Kurzweil KSP8 : High-end multi-effect processor
- Lexicon PCM 60 : « vintage » digital reverb
- Lexicon Mpx1 : Multi -fx , Reverb, Chorus, Delay, Flanger, Phaser…stereo
- Lexicon « Prime Time Delay »: stereo digital delay
- Sony DPS V77 : Digital Multi -fx
- Yamaha SPX90II : Digital m ult i-fx
- Roland DC30 : A nalog Echo/Chorus
- GBS « Spring Reverb » : a reverb made with a spring…duh !
- Moog « Mooger Fooger » : Analog resonant filter
- Jim Dunlop « Univibe » : A nalog Tr e molo/Chorus
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Microphones :
- Soundelux Ifet7 : High-end condenser microphone
- Blue “Baby bottle”: Condenser mic
- Josephson C42mp: Pair of condensers
- CAD E-200 : Condenser
- Shure SM57 x3: Dynamic mics
- Shure SM58 : Dynamic mic
- Audix D6 : Dynamic mic
- Beyerdynamic M88n : Dynamic mic
- Beyerdynamic M160n x 3 : Ribbon mics
- Royer R-121 : Ribbon mic
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Monitoring :
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Workstation :
- Mac G 5 1,8 Mghz, 1.5 Gig of ram , HD 150 Giga + HD 80 Giga extern al
- 17 ” + 15 " Apple studio
- 3x Motu HD 192
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Headphones :
- Sony MDR-7506
- Sony MDR v700
- Sony CD-250
- « Extreme Isolation »
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Backline :
- Guitares :
- 1 Gibson LesPaul « Special »
- 1 Fender « Stratocaster »
- 1 Epiphone LesPaul « Standard »
- 1 Fender “Telecaster” 1968
- 1 Ryan “LesPaul Recording”
- 1 Fender bass “Squier”
- 1 Status bass, active pickups
- Amps:
- 1 Bedrock serie 600, 50w
- 1 Musicman 1968 50w + 2 cabinets Mesa Boogie 22”
- 1 Fender Princeton Reverb 1966
- 1 Pignose 15w
- Samplers :
- Akai S2000
- Akai MPC 60
- Emu Emax
- Synthetisers and keyboards :
- Korg M1
- Korg MS10
- Korg MiniKorg
- Yamaha CS-5
- Sequential Circuit “six-track”
- Roland Juno 106
- Roland MKS30 + PG200
- Fender Rhodes MarkII, 73 keys
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+ a nice array of stomp boxes and small percs to spice up your tracks !
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